Davide Oppizzi founded the agency DCUBE
design espaces lumière SA in Geneva in 2001. He specializes in the
creation and development of high quality projects related to lighting,
greentech and architecture.
Davide Oppizzi was born in Switzerland in 1971 to an Italian mother
and a Swiss father. From these two cultures, he has derived the “Swiss
made” attitude and the Latin temperament. From childhood, immersed in
nature, he considered and imitated its forms and colours by inventing
all sorts of objects. With an almost visceral creative need, he enrolled
in an Applied Arts school to further his deepest aspirations.
Thanks to his multidisciplinary knowledge, especially in lighting
engineering, design, greentech, the universe of luxury bathing, interior
design and commercial fittings, Davide Oppizzi has brought his
creations to the forefront of the international scene. Prestigious
brands such as Chanel, Louis Vuitton or Graff have entrusted him with
projects that illustrate the profound link between a being and the
surrounding nature, the nature that feeds their inspiration at all
times. His vision is that of an artisan’s approach: manufactured,
focusing on the object’s precious, exclusive and intimist aspects.
The constant quest for pure and authentic lines, those that raise the
object to a level of timeless aesthetic refinement, that is both
exclusive and functional, Davide Oppizzi is specialised in the art of
lighting, the only way, in his words, to sublimate the matter he works
in.
Each project he undertakes represents an original and unique setting
for Davide Oppizzi, to be conceived upstream of technology. He
approaches each of his clients with total attention and listening
capacities that will take him to the outer limits of the possibilities
between fertile imagination and technological implementation. Davide
Oppizzi is the incarnation of a unique and rare combination of two
worlds that are, at first sight, paradoxical: technology and creative
sensitivity. This double talent provides him with the capacity to begin
by concentrating on the subtle visual memories perceived during his
imaginary journeys and then to define them with the use of modern
technology.